
plate no. 9970
John Everett Millais, 1859
Recreating this painting will help students develop skills in rendering complex figures and drapery, as well as capturing the subtle color variations in natural light and foliage.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figures and the main elements of the landscape.
Establish the background with broad washes of color, paying attention to the light and shadow on the trees and grass.
Begin to block in the figures, focusing on the overall shapes and proportions.
Refine the figures, adding details to the faces, clothing, and hair.
Develop the details of the landscape, including the flowers, leaves, and branches.
Pay attention to the light and shadow, adding highlights and shadows to create depth and dimension.
Add final details and adjustments to create a cohesive and harmonious composition.
Glaze with thin layers of color to unify the painting and enhance the overall effect.
color palette
primary · ivory black · yellow ochre · cadmium red · ultramarine blue
secondary · viridian green · burnt umber · titanium white · alizarin crimson
Mix greens by combining yellow ochre and ultramarine blue, adjust with white. Achieve skin tones by mixing cadmium red, yellow ochre, and white, with small amounts of ultramarine blue for shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke