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home·artworks·Apostle St. Thaddeus (Jude)
Apostle St. Thaddeus (Jude) by El Greco

plate no. 7596

Apostle St. Thaddeus (Jude)

El Greco, 1612

oil, canvasMannerism (Late Renaissance)religious paintingfigurereligious figurestaffrobebeardportrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering fabric folds and creating depth through value changes. It also offers practice in capturing the likeness and expression of a human face.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic figure proportions and pose, paying attention to the placement of the staff.

  2. step 02

    Block in the main areas of color: background, skin tones, robe colors.

  3. step 03

    Establish the darkest and lightest values to create a sense of depth.

  4. step 04

    Begin layering and blending colors to create smooth transitions, especially in the face and robe folds.

  5. step 05

    Refine the facial features, focusing on capturing the likeness and expression.

  6. step 06

    Add details to the staff and robe, such as highlights and shadows.

  7. step 07

    Adjust values and colors as needed to create a cohesive and balanced composition.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · ultramarine blue · raw sienna

Mix burnt umber and white for the skin tones, adjusting the ratio for highlights and shadows. Use yellow ochre and burnt umber for the robe, adding white for highlights. Mix ultramarine blue with burnt umber to create the dark background.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·blending

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Over-blending the colors, resulting in a flat, lifeless appearance.
  • →Failing to create enough contrast between light and shadow.
  • →Not capturing the likeness of the figure.
  • →Ignoring the subtle color variations in the robe and skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (burnt umber, titanium white, yellow ochre, ultramarine blue, raw sienna)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.

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