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home·artworks·Apostle St. Paul
Apostle St. Paul by El Greco

plate no. 0198

Apostle St. Paul

El Greco, 1612

oil, canvasMannerism (Late Renaissance)religious paintingfiguremanrobeswordletterbeard
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing facial expressions and rendering fabric folds. It also provides practice in creating dramatic lighting and using a limited color palette effectively.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, sword, and letter.

  2. step 02

    Block in the dark background using a mix of black and burnt umber.

  3. step 03

    Establish the main light source and begin to define the shadows and highlights on the figure's face and hands.

  4. step 04

    Apply the base colors for the robe and shirt, paying attention to the folds and drapery.

  5. step 05

    Refine the facial features, focusing on the eyes, nose, and mouth to capture the expression.

  6. step 06

    Add details to the sword and letter, using thin brushes for precision.

  7. step 07

    Glaze thin layers of color to build depth and richness in the robe and shadows.

  8. step 08

    Add final highlights to the face, hands, and robe to create a sense of luminosity.

color palette

primary · ivory black · burnt umber · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre

Mix black and burnt umber for the background and shadows. Use white to create highlights and tints of the red for the robe. A touch of blue can be added to the white for the shirt.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brushing
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color and losing the subtle tonal variations.
  • →Ignoring the importance of soft edges in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints: ivory black, burnt umber, titanium white, cadmium red
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

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