apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Anthony Sandys, the Artist's Father
Anthony Sandys, the Artist's Father by Frederick Sandys

plate no. 8045

Anthony Sandys, the Artist's Father

Frederick Sandys, 1849

oil, woodRomanticismportraitportraitmanclothinghairfaceoval
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in creating subtle gradations of light and shadow to create form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval shape and the basic proportions of the head and shoulders.

  2. step 02

    Establish the main light and shadow areas on the face and clothing using thin washes of color.

  3. step 03

    Begin building up the skin tones with layers of subtle color variations, focusing on the highlights and shadows.

  4. step 04

    Define the features of the face, paying close attention to the shape of the eyes, nose, and mouth.

  5. step 05

    Paint the hair, using short, directional brushstrokes to create texture and volume.

  6. step 06

    Develop the clothing, using darker tones to create depth and form.

  7. step 07

    Refine the background, ensuring it complements the portrait without distracting from it.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · burnt sienna

secondary · cadmium red light · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, burnt sienna, and small amounts of red, yellow ochre, and blue. Darken shadows with raw umber and ivory black. Use ultramarine blue and ivory black for the dark clothing.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Over-blending skin tones, resulting in a flat, lifeless appearance.
  • →Incorrect proportions of facial features.
  • →Using colors that are too saturated, creating an unnatural look.
  • →Neglecting the subtle variations in light and shadow.
  • →Ignoring the background and its impact on the overall composition.

materials

surface · stretched canvas (oval)

required

  • ·stretched canvas (oval)
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the initial values.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke