
plate no. 8045
Frederick Sandys, 1849
Recreating this portrait will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in creating subtle gradations of light and shadow to create form.
technical profile
approach — 8 steps
Lightly sketch the oval shape and the basic proportions of the head and shoulders.
Establish the main light and shadow areas on the face and clothing using thin washes of color.
Begin building up the skin tones with layers of subtle color variations, focusing on the highlights and shadows.
Define the features of the face, paying close attention to the shape of the eyes, nose, and mouth.
Paint the hair, using short, directional brushstrokes to create texture and volume.
Develop the clothing, using darker tones to create depth and form.
Refine the background, ensuring it complements the portrait without distracting from it.
Add final details and highlights to complete the painting.
color palette
primary · ivory black · raw umber · titanium white · burnt sienna
secondary · cadmium red light · yellow ochre · ultramarine blue
Achieve skin tones by mixing white, burnt sienna, and small amounts of red, yellow ochre, and blue. Darken shadows with raw umber and ivory black. Use ultramarine blue and ivory black for the dark clothing.
techniques
common pitfalls
surface · stretched canvas (oval)
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to help establish the initial values.
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