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home·artworks·Anna Cuminiello found dead the day after the battle of San Martino
Anna Cuminiello found dead the day after the battle of San Martino by Carlo Ademollo

plate no. 2078

Anna Cuminiello found dead the day after the battle of San Martino

Carlo Ademollo, 1861

oilRomanticismhistory paintingsoldierswellfigurebattlelandscapepriest
experienced study

Recreating this painting will help students develop skills in figure painting, particularly rendering realistic skin tones and drapery, as well as creating depth through atmospheric perspective and value control.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures, the well, and the background elements.

  2. step 02

    Establish the overall color scheme by blocking in large areas of color, focusing on the dominant earth tones and sky.

  3. step 03

    Develop the figures, starting with the darkest shadows and gradually adding highlights to create form.

  4. step 04

    Pay close attention to the details of the soldiers' uniforms and equipment, using small brushes to capture the intricate patterns and textures.

  5. step 05

    Render the well and surrounding landscape, using a variety of brushstrokes to create texture and depth.

  6. step 06

    Refine the lighting and shadows to create a sense of drama and atmosphere.

  7. step 07

    Add final details, such as the foliage, the well's rope, and the facial features of the figures.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · burnt umber · yellow ochre · ultramarine blue · titanium white

secondary · cadmium red · ivory black · sap green

Mix various shades of brown and gray by combining burnt umber, yellow ochre, ultramarine blue, and white. Use cadmium red to create the red accents in the uniforms. Mix greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·glazing
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions in the figures.
  • →Ignoring the subtle color variations in the shadows and highlights.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color scheme.

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oil painting for beginners →how to learn by studying the masters →
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