
plate no. 2044
Thomas Sully, 1834
Recreating this painting will help students develop skills in portraiture, including capturing likeness, rendering skin tones, and creating soft, blended transitions. It also offers practice in depicting textures like fabric and feathers.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the head, hat, and shoulders.
Establish the background color with thin washes of brown and red.
Block in the main areas of light and shadow on the face, hat, and dress.
Refine the skin tones using a limited palette of reds, yellows, and whites, focusing on smooth blending.
Add details to the hair, paying attention to the curls and highlights.
Paint the hat and feathers, using darker values for the hat and lighter values for the feathers.
Add subtle details to the dress and jewelry.
Make final adjustments to values and edges to create a cohesive and realistic portrait.
color palette
primary · titanium white · raw umber · cadmium red light
secondary · ivory black · yellow ochre · ultramarine blue
Achieve skin tones by mixing white, red, yellow ochre, and a touch of raw umber. Use ultramarine blue to cool down shadows. Mix black and raw umber for the dark areas of the hat.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium can be added to the paint to improve flow and blending.
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