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home·artworks·Anguish
Anguish by August Friedrich Schenck

plate no. 3468

Anguish

August Friedrich Schenck, 1878

oilRomanticismanimal paintingsheeplambcrowssnowskyanimals
experienced study

Recreating this painting will help students develop skills in rendering animal anatomy, creating atmospheric perspective, and using a limited palette to achieve a somber mood. It also provides practice in depicting textures like wool and feathers.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the sheep, lamb, and crows.

  2. step 02

    Establish the background sky with blended layers of gray and brown.

  3. step 03

    Block in the large shapes of the sheep and crows with dark undertones.

  4. step 04

    Develop the texture of the sheep's wool using short, broken brushstrokes and highlights.

  5. step 05

    Paint the lamb, paying attention to its delicate form and pale color.

  6. step 06

    Add details to the crows, varying their poses and sizes to create depth.

  7. step 07

    Render the snow with subtle variations in tone and texture, suggesting footprints and shadows.

  8. step 08

    Refine the overall composition and add final details to enhance the emotional impact.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · burnt umber

Mix ivory black and raw umber for the crows and shadows. Use titanium white to lighten these mixtures for highlights and snow. Add a touch of yellow ochre to the white for the sheep's wool.

techniques

  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details in the crows, making them appear flat.
  • →Failing to create a sense of depth in the background.
  • →Using too much white, resulting in a harsh, unrealistic snow effect.
  • →Ignoring the subtle color variations in the sheep's wool.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A toned canvas (e.g., with a thin wash of raw umber) can be helpful.

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