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home·artworks·Angel Piping to the Souls in Hell
Angel Piping to the Souls in Hell by Evelyn De Morgan

plate no. 8299

Angel Piping to the Souls in Hell

Evelyn De Morgan, 1897

oilRomanticismreligious paintingangelfiguressoulshellmountainsfire
experienced study

Recreating this painting will help students develop skills in figure drawing, portraiture, and creating atmospheric perspective with warm and cool colors. It also provides practice in rendering drapery and wings.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the angel and the arrangement of the faces.

  2. step 02

    Establish the background mountains with dark, muted colors.

  3. step 03

    Block in the general shapes of the angel's figure and wings with light washes.

  4. step 04

    Begin adding details to the faces, paying attention to their individual expressions and the direction of light.

  5. step 05

    Develop the drapery of the angel's robe, using highlights and shadows to create volume.

  6. step 06

    Refine the wings, adding texture and detail to the feathers.

  7. step 07

    Create the fiery atmosphere by layering warm colors and softening edges.

  8. step 08

    Add final highlights and details to the angel and the faces.

color palette

primary · burnt sienna · titanium white · cadmium red light

secondary · ultramarine blue · yellow ochre · alizarin crimson

Achieve the flesh tones by mixing burnt sienna, titanium white, and a touch of cadmium red light. Use ultramarine blue to cool down the warm colors and create shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·figure drawing
  • ·portraiture

common pitfalls

  • →Overworking the details in the faces, resulting in a stiff or unnatural appearance.
  • →Failing to create a sense of depth and atmosphere with color and value.
  • →Making the angel's figure too static or rigid.
  • →Losing the overall composition by focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a high-quality canvas and artist-grade oil paints for best results. Consider using a medium to thin the paints and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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