apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Angel of Death
Angel of Death by Horace Vernet

plate no. 3892

Angel of Death

Horace Vernet, 1851

oilRomanticismreligious paintingangeldeathfigurebediconreligious
experienced study

Recreating this painting will help students develop skills in figure painting, drapery rendering, and creating atmospheric perspective. It also provides practice in depicting complex lighting and emotional expression.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and composition.

  2. step 02

    Establish the background with broad strokes of dark blues and browns.

  3. step 03

    Block in the main shapes of the figures, focusing on proportions and gesture.

  4. step 04

    Begin layering in the light and shadow on the figures, paying attention to the light source.

  5. step 05

    Develop the details of the drapery, creating folds and highlights.

  6. step 06

    Refine the facial features and expressions of the figures.

  7. step 07

    Add the details of the icon and other objects in the scene.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · ivory black · titanium white · yellow ochre · ultramarine blue

secondary · burnt umber · cadmium red light · raw sienna

Achieve the subtle skin tones by mixing titanium white with small amounts of yellow ochre, cadmium red light, and burnt umber. Create the dark shadows using ivory black and ultramarine blue. Use thin glazes of yellow ochre to create the golden hues of the bedsheets.

techniques

  • ·glazing
  • ·chiaroscuro
  • ·drapery rendering
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of the figures.
  • →Muddying the colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke