apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Angel, I will follow you
Angel, I will follow you by Jacek Malczewski

plate no. 4683

Angel, I will follow you

Jacek Malczewski, 1901

oil, panelArt Nouveau (Modern)religious paintingangelchildgeesefieldskyfigure
experienced study

Recreating this painting will help students develop skills in figure painting, creating atmospheric perspective, and using a limited palette to achieve harmonious color relationships. It also provides practice in rendering textures like feathers and fabric.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and landscape elements, focusing on proportions and composition.

  2. step 02

    Establish the background sky and distant field with thin washes of color.

  3. step 03

    Block in the main shapes of the angel and child with simplified color masses.

  4. step 04

    Begin refining the forms of the figures, paying attention to light and shadow.

  5. step 05

    Add details to the wings, clothing, and faces, using smaller brushes.

  6. step 06

    Paint the geese, focusing on their form and how they interact with the light.

  7. step 07

    Develop the texture of the field with short, broken brushstrokes.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · yellow ochre · burnt umber · titanium white · ultramarine blue

secondary · raw sienna · cadmium yellow light · alizarin crimson · viridian

Achieve the muted tones by mixing complementary colors and using white to adjust values. The skin tones are created by mixing yellow ochre, burnt umber, and a touch of red. The greens are a mix of yellow and blue, muted with umber.

techniques

  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking details too early
  • →Incorrect proportions of the figures
  • →Muddying the colors by over-mixing
  • →Failing to create a sense of depth
  • →Ignoring the light source

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints: yellow ochre, burnt umber, titanium white, ultramarine blue
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use a high-quality canvas primed with gesso. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois