
plate no. 1777
Hans Gude, 1853
Recreating this painting will help students develop skills in layering watercolor washes and creating atmospheric perspective. It also provides practice in rendering foliage and reflections in water.
technical profile
approach — 8 steps
Lightly sketch the main shapes: river, hills, trees, and buildings.
Apply a light wash of diluted yellow ochre and burnt sienna to the sky and distant hills.
Add a first wash of green and brown to the trees and foliage, varying the tones.
Paint the river with a diluted mix of blues, browns, and yellows, reflecting the sky and surrounding landscape.
Layer darker greens and browns to define the shadows and details in the trees and foliage.
Add details to the buildings and haystacks with small brushstrokes.
Paint the tree in the foreground, using a fine brush for the branches and leaves.
Refine the reflections in the water, adding subtle variations in color and tone.
color palette
primary · yellow ochre · burnt sienna · Prussian blue
secondary · sap green · raw umber · cadmium red
Mix yellow ochre and burnt sienna for the warm tones of the sky and hills. Combine Prussian blue and yellow ochre for various shades of green. Use a touch of cadmium red to warm up the browns.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes to achieve various effects.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke