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home·artworks·An Underground Casualty Clearing Station, Arras
An Underground Casualty Clearing Station, Arras by Henry Tonks

plate no. 0777

An Underground Casualty Clearing Station, Arras

Henry Tonks, 1918

oilImpressionismgenre paintingfiguresinteriorarchitecturestairslightshadow
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a dimly lit environment and understanding how light and shadow define form and space. It also offers practice in creating atmospheric perspective and suggesting detail with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the placement of figures and architectural elements.

  2. step 02

    Establish the darkest and lightest areas to define the overall value structure.

  3. step 03

    Block in the main color masses, starting with the darker tones and gradually adding lighter values.

  4. step 04

    Use loose, expressive brushstrokes to suggest details and textures, avoiding hard edges.

  5. step 05

    Pay close attention to the way light interacts with the scene, creating highlights and shadows.

  6. step 06

    Refine the edges and details, focusing on the focal points of the composition.

  7. step 07

    Add subtle color variations to create depth and atmosphere.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · raw umber · burnt sienna · ivory black

secondary · yellow ochre · titanium white

Mix the primary colors to create a range of muted browns and grays. Use white to lighten the values and yellow ochre to add warmth.

techniques

  • ·chiaroscuro
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Creating too much contrast and flattening the sense of depth.
  • →Ignoring the subtle color variations and creating a monotonous palette.
  • →Incorrect proportions of the figures and architectural elements.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a canvas with a medium texture to allow for expressive brushwork. Consider using a toned canvas to establish a base value.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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