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home·artworks·An ordinary man walking with his dogs
An ordinary man walking with his dogs by Greta Freist

plate no. 6080

An ordinary man walking with his dogs

Greta Freist, 1978

oilMagic Realismgenre paintingfiguresdogsstreetcityscapewalkingwinter
some experience helpful

Recreating this painting will help students develop skills in depicting figures in motion and creating a sense of depth through layering and color variation. It also provides practice in capturing textures, such as the fur of the dogs and the fabric of the clothing.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figures and dogs, paying attention to their relative sizes and positions.

  2. step 02

    Establish the horizon line and the perspective of the street.

  3. step 03

    Block in the main color areas for the background, figures, and dogs using thin washes.

  4. step 04

    Begin adding details to the figures, focusing on the clothing, facial features, and the texture of the fur.

  5. step 05

    Develop the background by adding details to the street and the figures in the distance.

  6. step 06

    Refine the shadows and highlights to create depth and dimension.

  7. step 07

    Add final details such as the dog leashes, the man's cane, and the boy's hat.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of atmosphere.

color palette

primary · yellow ochre · ultramarine blue · titanium white

secondary · burnt umber · raw sienna · cadmium red light

Mix various shades of grey for the street and background by combining ultramarine blue, burnt umber, and titanium white. Achieve the yellow tones of the man's coat by mixing yellow ochre with a touch of cadmium red light.

techniques

  • ·blocking in
  • ·layering
  • ·dry brushing
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear light source.

materials

surface · Stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water
  • ·Linseed oil (if using oil paints)

optional

  • ·Medium gloss
  • ·Retarder medium

Use a medium-tooth canvas for best results. If using acrylics, consider using a retarder medium to slow down the drying time.

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