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home·artworks·An Italian Woman from the Area of Lake Albano Wearing a White Headpiece
An Italian Woman from the Area of Lake Albano Wearing a White Headpiece by Wilhelm Marstrand

plate no. 8096

An Italian Woman from the Area of Lake Albano Wearing a White Headpiece

Wilhelm Marstrand, 1849

oil, canvasRomanticismportraitportraitwomanheadpiececlothingfigureface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations. Students will also learn to depict the folds and highlights of fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and headpiece.

  2. step 02

    Establish the dark background with a thin, even layer of black paint.

  3. step 03

    Block in the main areas of the face, neck, and clothing with light washes of color.

  4. step 04

    Begin to build up the skin tones with subtle layers of color, paying attention to highlights and shadows.

  5. step 05

    Define the features of the face, such as the eyes, nose, and mouth, with careful detail.

  6. step 06

    Add the details of the headpiece, focusing on the folds and highlights of the fabric.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · raw umber · burnt sienna

secondary · ivory black · cadmium red light · ultramarine blue

Mix skin tones using white, raw umber, and a touch of red. Use ultramarine blue and raw umber to create the dark background. Mix white with a touch of raw umber and blue for the headpiece.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·value studies
  • ·layering

common pitfalls

  • →Incorrect proportions
  • →Muddy skin tones
  • →Overly harsh highlights
  • →Ignoring subtle value changes

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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