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home·artworks·An Extensive Landscape with a Windmill
An Extensive Landscape with a Windmill by James Ward

plate no. 6049

An Extensive Landscape with a Windmill

James Ward

oilRomanticismlandscapelandscapewindmillhillsskyfoliagefield
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and loose brushwork for creating texture. It also provides practice in simplifying complex landscapes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the windmill, hills, and sky, paying attention to the overall composition.

  2. step 02

    Establish the horizon line and the general layout of the landscape.

  3. step 03

    Block in the sky with a light blue-gray wash, allowing for variations in tone.

  4. step 04

    Lay in the distant hills with muted greens and blues, using a lighter value to create atmospheric perspective.

  5. step 05

    Paint the windmill using browns and grays, adding details like the sails and roof.

  6. step 06

    Develop the foreground with darker greens and browns, adding texture with broken brushstrokes.

  7. step 07

    Add small details like figures or animals to create a sense of scale and interest.

  8. step 08

    Refine the painting by adjusting values and adding highlights and shadows.

color palette

primary · raw umber · titanium white · cerulean blue

secondary · burnt sienna · yellow ochre · sap green

Mix muted greens by combining yellow ochre, sap green, and a touch of raw umber. Create atmospheric perspective by lightening colors with titanium white and adding a touch of blue.

techniques

  • ·dry brush texture
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details and losing the loose, painterly feel.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using colors that are too saturated and bright.
  • →Ignoring the importance of value contrast in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·round brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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