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home·artworks·An Eruption of Vesuvius, seen from Portici
An Eruption of Vesuvius, seen from Portici by Joseph Wright

plate no. 7869

An Eruption of Vesuvius, seen from Portici

Joseph Wright, 1776

oil, canvasRomanticismlandscapevolcanoeruptionlandscapenightcloudsmountains
experienced study

Recreating this painting will help students understand atmospheric perspective, value relationships in low-light conditions, and how to depict dramatic light sources. Students will also learn to create a sense of depth and scale through careful layering and blending.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the volcano and the horizon line.

  2. step 02

    Establish the darkest areas of the sky and foreground with a dark, neutral color.

  3. step 03

    Block in the general shapes of the mountains and landmasses with mid-tone browns and greens.

  4. step 04

    Begin layering in the lighter areas of the erupting volcano and the surrounding clouds, using yellows, oranges, and reds.

  5. step 05

    Refine the shapes and values of the clouds, paying attention to the way the light interacts with the smoke and ash.

  6. step 06

    Add details to the foreground, such as the suggestion of buildings and vegetation.

  7. step 07

    Create the glowing effect of the lava flow and the light emanating from the volcano's crater.

  8. step 08

    Add final highlights and details to enhance the sense of drama and realism.

color palette

primary · burnt umber · cadmium yellow · alizarin crimson

secondary · ultramarine blue · titanium white · ivory black

Achieve the glowing effect by layering thin washes of yellow and orange over a white base. Mix dark, muted tones by combining burnt umber, ultramarine blue, and a touch of black.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall composition.
  • →Making the colors too saturated and unrealistic.
  • →Not creating enough contrast between the light and dark areas.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, cadmium yellow, alizarin crimson, ultramarine blue, titanium white, ivory black)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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