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home·artworks·An Englishman Pursued By Beggars In Rome
An Englishman Pursued By Beggars In Rome by Wilhelm Marstrand

plate no. 5150

An Englishman Pursued By Beggars In Rome

Wilhelm Marstrand, 1853

oilRomanticismgenre paintingfiguresstreet scenearchitecturebeggarscityscapeclothing
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering clothing folds, and creating a sense of depth through atmospheric perspective. It also provides practice in capturing realistic skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch outlining the main figures and architectural elements, paying attention to proportions and perspective.

  2. step 02

    Block in the main color areas for the background, figures, and clothing, using thin washes.

  3. step 03

    Begin refining the figures, focusing on accurate anatomy and clothing details.

  4. step 04

    Develop the architectural details, paying attention to light and shadow to create depth.

  5. step 05

    Add details to the faces, capturing the expressions and individual characteristics of each figure.

  6. step 06

    Refine the lighting and shadows throughout the painting, creating a sense of atmosphere and depth.

  7. step 07

    Add final details such as textures, highlights, and subtle color variations.

  8. step 08

    Varnish the painting to protect the surface and enhance the colors.

color palette

primary · burnt umber · yellow ochre · ultramarine blue

secondary · cadmium red · titanium white · ivory black

Mix various shades of brown and grey by combining burnt umber, yellow ochre, and ultramarine blue. Use white to lighten colors and black to darken them. Achieve the blue of the gentleman's coat by mixing ultramarine blue with a touch of white and black.

techniques

  • ·figure drawing
  • ·glazing
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of figures
  • →Overly saturated colors
  • →Lack of depth and atmosphere
  • →Ignoring subtle color variations
  • →Poor rendering of fabric folds

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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