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home·artworks·An Arab in a turban
An Arab in a turban by Konstantin Makovsky

plate no. 5618

An Arab in a turban

Konstantin Makovsky, 1882

oilRomanticismportraitportraitfigureturbanclothingheadweararab
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating texture with visible brushstrokes. It also provides practice in capturing the likeness and expression of a subject.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and turban.

  2. step 02

    Establish the background with a thin wash of warm neutral tones.

  3. step 03

    Block in the main areas of color for the skin, turban, and clothing, paying attention to the overall value structure.

  4. step 04

    Begin refining the skin tones by layering and blending different shades of brown, red, and yellow.

  5. step 05

    Add details to the turban, capturing the patterns and folds with careful brushwork.

  6. step 06

    Work on the clothing, using short, broken strokes to create texture and dimension.

  7. step 07

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of depth.

color palette

primary · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium red · titanium white · raw sienna

Achieve skin tones by mixing burnt umber, yellow ochre, and cadmium red, adjusting the proportions for highlights and shadows. Mix ultramarine blue and white for the turban, adding touches of red and green for variation.

techniques

  • ·color mixing
  • ·layering
  • ·blending
  • ·broken brushstrokes
  • ·portraiture

common pitfalls

  • →Overworking the skin tones, resulting in a flat or muddy appearance.
  • →Failing to capture the correct proportions of the face.
  • →Ignoring the subtle variations in color and value.
  • →Getting lost in details too early, before establishing the overall form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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