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home·artworks·An Ancient Egyptian Temple, on Gebel Garaba
An Ancient Egyptian Temple, on Gebel Garaba by David Roberts

plate no. 2774

An Ancient Egyptian Temple, on Gebel Garaba

David Roberts

oilRomanticismlandscapetempleruinslandscapeskyfiguresdesert
some experience helpful

Recreating this painting will help students practice atmospheric perspective and rendering stone textures with subtle color variations. They will also learn to create a sense of depth and scale in a landscape.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the temple ruins and the horizon line.

  2. step 02

    Establish the sky with a light, blended wash of pale blue and white.

  3. step 03

    Block in the distant mountain with muted browns and grays, using lighter values to suggest atmospheric perspective.

  4. step 04

    Begin defining the larger shapes of the temple ruins, paying attention to the light and shadow patterns.

  5. step 05

    Add details to the stone structures, using a fine brush to create texture and suggest weathering.

  6. step 06

    Paint the figures in the foreground, keeping them simple and proportionate to the overall scene.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and realism.

  8. step 08

    Glaze with thin washes to unify the colors and create a sense of atmosphere.

color palette

primary · raw umber · titanium white · cerulean blue

secondary · burnt sienna · yellow ochre · ivory black

Mix various shades of brown and gray by combining raw umber, burnt sienna, yellow ochre, and ivory black with white. Use cerulean blue and white for the sky, and add a touch of raw umber to create a hazy effect.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·glazing
  • ·color mixing
  • ·rendering stone texture

common pitfalls

  • →Overworking details too early
  • →Ignoring atmospheric perspective
  • →Using colors that are too saturated
  • →Failing to establish a clear light source

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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