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home·artworks·An Afternoon Tea
An Afternoon Tea by Federico Andreotti

plate no. 1070

An Afternoon Tea

Federico Andreotti, 1900

oilRomanticismgenre paintingfiguresgardenbuildingtabledogtrees
experienced study

Recreating this painting will help students develop skills in figure painting, capturing intricate details in clothing, and creating depth through atmospheric perspective. It also provides practice in rendering realistic textures like fabric and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures, building, and table, focusing on proportions and placement.

  2. step 02

    Establish the background with broad washes of color, creating the atmospheric perspective of the garden and sky.

  3. step 03

    Block in the main colors of the building and the table, paying attention to light and shadow.

  4. step 04

    Start painting the figures, beginning with the larger forms of their clothing and gradually adding details.

  5. step 05

    Focus on the faces, capturing the expressions and features of each figure.

  6. step 06

    Add details to the clothing, such as the lace, ribbons, and floral patterns.

  7. step 07

    Paint the dog, paying attention to its anatomy and fur texture.

  8. step 08

    Refine the details of the background, adding highlights and shadows to create depth and realism.

color palette

primary · titanium white · cadmium red · ultramarine blue · yellow ochre

secondary · burnt umber · raw sienna · viridian

Mix various shades of pink for the dresses by combining cadmium red and titanium white. Achieve the blue-gray tones of the men's coats by mixing ultramarine blue, burnt umber, and titanium white. Use yellow ochre and burnt umber for the building's warm tones.

techniques

  • ·figure painting
  • ·fabric rendering
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth in the background.
  • →Using colors that are too saturated or unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint
  • ·viridian oil paint

Use high-quality oil paints for best results. A medium like linseed oil can help with blending and glazing.

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