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home·artworks·An Afternoon in the Salon
An Afternoon in the Salon by Salvador Sánchez Barbudo

plate no. 5639

An Afternoon in the Salon

Salvador Sánchez Barbudo, 1902

oil, canvasRomanticismhistory paintingfiguresinteriorfurnituresalonclothingarchitecture
advanced study

Recreating this painting would develop skills in rendering complex textures and patterns, as well as capturing the nuances of light and shadow in an interior scene. Students will also learn about composition and how to arrange multiple figures in a dynamic and engaging way.

technical profile

palette complexity
5
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and furniture.

  2. step 02

    Block in the main shapes and colors, focusing on the large areas of color and value.

  3. step 03

    Develop the background elements, such as the walls, furniture, and window, paying attention to detail and texture.

  4. step 04

    Refine the figures, focusing on the folds of the clothing and the details of the faces.

  5. step 05

    Add highlights and shadows to create depth and dimension.

  6. step 06

    Work on the details of the accessories, such as the jewelry, fans, and teacups.

  7. step 07

    Adjust the overall color harmony and value contrast to create a cohesive and visually appealing painting.

  8. step 08

    Add final details and refine edges to complete the painting.

color palette

primary · red · gold · white · brown

secondary · pink · purple · green · blue

Achieve the rich reds by mixing alizarin crimson with burnt sienna and a touch of cadmium red. Create the gold tones by mixing yellow ochre with burnt umber and a touch of white. The pinks and purples are achieved by mixing the reds and blues with white.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the importance of color harmony.
  • →Losing the overall sense of light and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (red, gold, white, brown, pink, purple, green, blue)
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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