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home·artworks·Amsterdam Orphans in the Garden
Amsterdam Orphans in the Garden by Max Liebermann

plate no. 4311

Amsterdam Orphans in the Garden

Max Liebermann, 1885

oil, canvasImpressionismgenre paintingfiguresgardenchildrenbirdsarchitecturefoliage
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a naturalistic setting and capturing the effects of light and shadow on fabric and foliage. It also provides practice in creating a sense of depth and atmosphere through color and brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and architectural elements, focusing on proportions and placement.

  2. step 02

    Block in the large areas of color, starting with the background foliage and ground.

  3. step 03

    Establish the basic values of the figures' clothing, paying attention to the folds and drapery.

  4. step 04

    Refine the details of the faces and hands, using subtle color variations to create form.

  5. step 05

    Add the birds and fallen leaves, varying their sizes and positions to create visual interest.

  6. step 06

    Develop the background details, softening edges to create a sense of depth.

  7. step 07

    Adjust the overall color harmony and value contrast to create a cohesive composition.

  8. step 08

    Add final highlights and shadows to enhance the sense of realism.

color palette

primary · raw umber · titanium white · ivory black · cadmium red light

secondary · yellow ochre · viridian · ultramarine blue

Mix various shades of brown and green for the foliage and ground by combining raw umber, yellow ochre, viridian, and black. Use white to create highlights on the clothing and faces, and red to add warmth to the skin tones and architectural elements.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·alla prima
  • ·chiaroscuro

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural appearance.
  • →Failing to establish a clear value structure, leading to a flat and unconvincing composition.
  • →Using colors that are too saturated, creating a garish and unrealistic effect.
  • →Ignoring the effects of light and shadow, resulting in a lack of depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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