apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Amiază la Balcic
Amiază la Balcic by Jean Alexandru Steriadi

plate no. 5349

Amiază la Balcic

Jean Alexandru Steriadi, 1925

oilImpressionismlandscapelandscapebuildingstreeshillsideskyvillage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex scenes into basic shapes and values. Students will also learn to use brushstrokes to define form and create visual interest.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, trees, and hillside, paying attention to the overall composition.

  2. step 02

    Block in the main color areas with thin washes, establishing the light and shadow patterns.

  3. step 03

    Begin layering colors to build up depth and texture in the trees and foliage.

  4. step 04

    Add details to the buildings, such as windows and rooflines, using small brushstrokes.

  5. step 05

    Refine the sky and hillside, blending colors to create a sense of atmosphere.

  6. step 06

    Add highlights and shadows to create form and dimension.

  7. step 07

    Pay attention to the edges of shapes, softening some and defining others to create visual interest.

  8. step 08

    Add final details and adjust values as needed to complete the painting.

color palette

primary · viridian green · yellow ochre · cerulean blue · cadmium red

secondary · raw umber · titanium white · burnt sienna

Mix greens by blending viridian green with yellow ochre and white. Create earth tones by mixing yellow ochre, raw umber, and a touch of red. Achieve the sky color by mixing cerulean blue with white, adding a touch of yellow for warmth.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and creating a cluttered composition.
  • →Failing to establish a strong value structure.
  • →Not mixing colors effectively and creating muddy tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a limited palette to simplify color mixing and create a harmonious painting. Consider using a toned canvas to establish a base value.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann