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home·artworks·Ames Guthrie Orchar, Provost of Broughty Ferry
Ames Guthrie Orchar, Provost of Broughty Ferry by John Pettie

plate no. 4619

Ames Guthrie Orchar, Provost of Broughty Ferry

John Pettie, 1886

oilRomanticismportraitportraitfiguremanclothingbeardhand
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in creating depth and form through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hand.

  2. step 02

    Establish the background with a thin wash of dark brown, leaving lighter areas where the light hits the figure.

  3. step 03

    Block in the main areas of the face with mid-tones, paying attention to the planes of the face.

  4. step 04

    Begin to refine the facial features, adding highlights and shadows to create form.

  5. step 05

    Paint the clothing with broad strokes, focusing on the folds and drapery.

  6. step 06

    Add details to the beard and hair, using small brushstrokes to create texture.

  7. step 07

    Refine the hand, paying attention to the knuckles and fingernails.

  8. step 08

    Add final highlights and shadows to enhance the overall realism.

color palette

primary · raw umber · burnt sienna · ivory black · titanium white

secondary · cadmium red light · yellow ochre

Mix skin tones by blending white, yellow ochre, and a touch of red. Use raw umber and ivory black for the dark clothing and background, adjusting the values with white.

techniques

  • ·portraiture
  • ·value study
  • ·blending
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Over-blending the skin tones, resulting in a flat appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle value changes that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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