apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Amalfi, The Gulf Of Salerno
Amalfi, The Gulf Of Salerno by Franz Richard Unterberger

plate no. 8220

Amalfi, The Gulf Of Salerno

Franz Richard Unterberger

oil, canvasRomanticismcityscapecityscapeseafiguresarchitecturecliffsky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex scenes with numerous figures and architectural details. It also provides practice in capturing the subtle color variations in natural light.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes: the cliff, the buildings, the sea, and the main groups of figures.

  2. step 02

    Establish the sky and sea with broad washes of color, focusing on the subtle gradations of light and atmospheric perspective.

  3. step 03

    Block in the large shapes of the cliff and buildings, using a limited palette of earth tones and gradually adding details and texture.

  4. step 04

    Start adding the figures, beginning with the larger groups and then moving to the smaller details, paying attention to their relative sizes and positions.

  5. step 05

    Refine the details of the architecture, including the arches, walls, and rooftops, using a variety of brushstrokes to create texture and depth.

  6. step 06

    Add the foliage and vegetation, using a combination of dry brush and wet-on-wet techniques to create a sense of realism.

  7. step 07

    Pay attention to the light and shadow, using highlights and shadows to create depth and dimension in the scene.

  8. step 08

    Make final adjustments to the colors and values, ensuring that the overall composition is balanced and harmonious.

color palette

primary · ultramarine blue · raw umber · titanium white · cadmium red

secondary · yellow ochre · burnt sienna · viridian

Achieve the sky and sea colors by mixing ultramarine blue with titanium white and a touch of yellow ochre. Use raw umber and burnt sienna for the cliffs and architecture, adding white for highlights and ultramarine blue for shadows.

techniques

  • ·atmospheric perspective
  • ·dry brush
  • ·wet-on-wet blending
  • ·scumbling
  • ·broken color

common pitfalls

  • →Getting lost in the details too early
  • →Failing to establish a strong sense of atmospheric perspective
  • →Overworking the colors and losing the freshness of the original
  • →Incorrect proportions of the figures

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas to allow for both fine detail and textured brushwork. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke