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Amalfi by Franz Richard Unterberger

plate no. 0010

Amalfi

Franz Richard Unterberger

oil, canvasRomanticismcityscapecityscapemountainsseafiguresbuildingssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing movement with loose brushstrokes. It also provides practice in rendering complex architectural details and figures in a dynamic composition.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, buildings, and sea.

  2. step 02

    Establish the sky with light washes of blue, pink, and white, blending the colors softly.

  3. step 03

    Block in the mountains using muted earth tones, gradually adding highlights and shadows to create depth.

  4. step 04

    Paint the sea with varying shades of blue and green, reflecting the sky and surrounding landscape.

  5. step 05

    Add the buildings, paying attention to their perspective and architectural details.

  6. step 06

    Introduce the figures and horses, capturing their movement with quick, expressive brushstrokes.

  7. step 07

    Refine the details of the buildings, figures, and landscape, adding highlights and shadows to create form.

  8. step 08

    Add final touches, such as small boats on the sea and subtle details in the sky.

color palette

primary · ultramarine blue · burnt sienna · titanium white

secondary · yellow ochre · alizarin crimson

Achieve the atmospheric haze by mixing white with small amounts of blue, pink, and brown. Create the earth tones for the mountains by blending burnt sienna, yellow ochre, and ultramarine blue.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·implied lines

common pitfalls

  • →Overworking the details, which can flatten the painting.
  • →Failing to establish a clear focal point.
  • →Ignoring the principles of atmospheric perspective, resulting in a lack of depth.
  • →Using colors that are too saturated, which can detract from the overall harmony.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (ultramarine blue, burnt sienna, titanium white, yellow ochre, alizarin crimson)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-grit canvas to allow for texture. Consider using a limited palette to achieve color harmony.

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