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home·artworks·Altstadtmarkt in Brunswijk
Altstadtmarkt in Brunswijk by Cornelis Springer

plate no. 6295

Altstadtmarkt in Brunswijk

Cornelis Springer

oilRomanticismcityscapebuildingscityscapefiguresskyarchitecturemarket
experienced study

Recreating this painting will help students develop skills in perspective, architectural rendering, and creating atmospheric depth through subtle color variations. It also provides practice in painting figures in a crowd and capturing the overall mood of a bustling marketplace.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the perspective and placement of the main architectural elements.

  2. step 02

    Block in the basic shapes of the buildings, focusing on accurate proportions and angles.

  3. step 03

    Establish the sky and the overall atmospheric perspective, using thin washes of color.

  4. step 04

    Start adding details to the buildings, including windows, arches, and other architectural features.

  5. step 05

    Begin to populate the scene with figures, paying attention to their relative sizes and placement.

  6. step 06

    Add details to the figures, including clothing, faces, and gestures.

  7. step 07

    Refine the lighting and shadows throughout the painting, adding depth and dimension.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium red light

Achieve the various stone and building colors by mixing raw umber, yellow ochre, and titanium white in different proportions. Use ultramarine blue and burnt sienna to create grays for the sky and shadows.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Incorrect perspective leading to distorted buildings.
  • →Overworking details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate proportions of figures.
  • →Muddying colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·round brushes sizes 0-4
  • ·flat brushes sizes 2-8

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color palette.

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oil painting for beginners →how to learn by studying the masters →
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