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home·artworks·Altar of Philip the Bold, Duke of Burgundy, left wing: Annunciation and Visitation
Altar of Philip the Bold, Duke of Burgundy, left wing: Annunciation and Visitation by Melchior Broederlam

plate no. 9982

Altar of Philip the Bold, Duke of Burgundy, left wing: Annunciation and Visitation

Melchior Broederlam, 1399

wood, temperaInternational Gothicreligious paintingarchitecturefiguresmountainsreligious sceneangellandscape
experienced study

Recreating this painting will help students develop skills in rendering complex architectural details and drapery folds, as well as understanding the use of symbolism in religious art.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, dividing the scene into architectural and landscape elements.

  2. step 02

    Establish the main figures' positions and gestures.

  3. step 03

    Block in the main colors for the background, architecture, and figures.

  4. step 04

    Begin adding details to the architecture, focusing on perspective and ornamentation.

  5. step 05

    Develop the drapery folds and shadows on the figures.

  6. step 06

    Refine the landscape elements, adding depth and texture to the mountains.

  7. step 07

    Add details such as halos, facial features, and decorative elements.

  8. step 08

    Glaze with thin layers to build up color depth and luminosity.

color palette

primary · ultramarine blue · red ochre · raw umber · gold

secondary · viridian green · ivory black · cadmium yellow light

Achieve the muted tones by mixing earth pigments with white and small amounts of other colors. Use glazes of ultramarine and red ochre to create depth in the blue and red fabrics.

techniques

  • ·glazing
  • ·scumbling
  • ·linear perspective
  • ·drapery rendering
  • ·architectural detail

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Overworking the colors and losing the luminosity.
  • →Inaccurate perspective in the architecture.
  • →Failing to capture the subtle gradations in the drapery folds.

materials

surface · gessoed wood panel

required

  • ·gessoed wood panel
  • ·tempera paints
  • ·small round brushes
  • ·medium flat brushes
  • ·palette
  • ·water
  • ·soft cloths
  • ·varnish

optional

  • ·palette knife
  • ·retarder medium
  • ·gold leaf

Tempera paints dry quickly, so work in small sections. Consider using a retarder medium to slow the drying time. Gold leaf can be used for the halos and decorative elements.

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