apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Alpine landscape
Alpine landscape by George Frederick Watts

plate no. 9924

Alpine landscape

George Frederick Watts

oilRomanticismlandscapemountainsskylandscapesnowhills
some experience helpful

Recreating this painting will help students develop skills in layering washes and creating atmospheric perspective. It will also provide practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic mountain shapes and horizon line.

  2. step 02

    Apply a light wash of blue and gray for the sky, leaving some areas white for clouds.

  3. step 03

    Paint the distant mountains with diluted gray and blue washes.

  4. step 04

    Begin layering washes of brown, red, and purple for the mountain peaks, gradually building up darker values.

  5. step 05

    Add white or very light gray for snow-covered areas, blending edges softly.

  6. step 06

    Paint the foreground hills with washes of green and brown, varying the tones to create depth.

  7. step 07

    Add details like shadows and highlights to define the forms of the mountains and hills.

  8. step 08

    Refine the overall composition and adjust values as needed.

color palette

primary · ultramarine blue · burnt sienna · raw umber

secondary · cadmium red · payne's gray

Mix blues and grays for the sky and distant mountains. Combine burnt sienna and cadmium red for the mountain peaks, and add raw umber for shadows. Use white to lighten colors for snow and highlights.

techniques

  • ·wet-on-wet blending
  • ·layering washes
  • ·dry brush texture
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the freshness of the washes.
  • →Creating muddy colors by mixing too many pigments.
  • →Failing to establish a clear value structure.
  • →Not allowing washes to dry completely before adding subsequent layers.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper (140lb)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler

Use high-quality watercolor paints and paper for best results. Experiment with different brush sizes and techniques to achieve desired effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke