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home·artworks·Allegory of the destruction of the cathedral at Reims
Allegory of the destruction of the cathedral at Reims by Heorhiy Narbut

plate no. 8096

Allegory of the destruction of the cathedral at Reims

Heorhiy Narbut, 1916

gouache, watercolor, paperArt Nouveau (Modern)allegorical paintingroostereaglefirecathedralcityscapeswords
experienced study

Recreating this painting would help students develop skills in layering colors to create depth and atmospheric perspective, as well as rendering complex textures like smoke and fire.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main elements (rooster, eagle, cathedral).

  2. step 02

    Establish the background sky and the ethereal figure with light washes of color.

  3. step 03

    Block in the main shapes of the burning cathedral and the surrounding cityscape using darker tones.

  4. step 04

    Begin layering colors to create the smoke and fire, using yellows, oranges, and reds.

  5. step 05

    Add details to the rooster and eagle, focusing on their feathers and the swords.

  6. step 06

    Refine the cityscape, adding details to the buildings and rubble.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Glaze to unify colors and create atmosphere.

color palette

primary · black · burnt umber · yellow ochre

secondary · cadmium red · ultramarine blue · titanium white

Achieve the smoky grays by mixing black with white and a touch of burnt umber. Create the fire colors by layering yellows, oranges, and reds. Use ultramarine blue and white to create the ethereal figure.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Using colors straight from the tube without mixing
  • →Not creating enough depth in the cityscape

materials

surface · watercolor paper 140lb

required

  • ·gouache paints
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·watercolor paper
  • ·palette
  • ·water container

optional

  • ·palette knife
  • ·masking fluid
  • ·ruler

Use high-quality gouache and watercolor paints for best results. Consider using a palette knife for applying thicker layers of paint.

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watercolor techniques →how to learn by studying the masters →
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