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home·artworks·All the Newspapers in the World
All the Newspapers in the World by Edmund Dulac

plate no. 2406

All the Newspapers in the World

Edmund Dulac

oilArt Nouveau (Modern)illustrationfigureinteriordresspaperschaircurtains
some experience helpful

Recreating this painting will help students develop skills in rendering fabric folds, creating depth through layering, and using a limited color palette to achieve a cohesive look. It also provides practice in drawing complex shapes and patterns.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the placement of the figure and the main elements of the room.

  2. step 02

    Refine the sketch, adding details to the figure's dress, the chair, and the scattered papers.

  3. step 03

    Apply a base layer of color to the background, using diluted washes to create a soft, atmospheric effect.

  4. step 04

    Begin layering colors on the figure's dress, building up the shadows and highlights to create depth and dimension.

  5. step 05

    Paint the details of the chair and the curtains, paying attention to the textures and patterns.

  6. step 06

    Add the scattered papers, using a variety of shapes and sizes to create a sense of randomness.

  7. step 07

    Refine the details of the figure's face and hair, using fine lines and subtle shading.

  8. step 08

    Add final touches and highlights to the entire painting, ensuring that the colors and values are balanced.

color palette

primary · Prussian blue · Burnt Sienna · Titanium White

secondary · Purple · Gold Ochre

Mix Prussian blue and burnt sienna to create various shades of gray and brown for the shadows. Use titanium white to lighten the colors and create highlights. Mix purple with white for the curtains.

techniques

  • ·Layering
  • ·Dry brushing
  • ·Color mixing
  • ·Hatching
  • ·Wash

common pitfalls

  • →Overworking the details, which can make the painting look cluttered.
  • →Not paying attention to the values, which can flatten the image.
  • →Using too many colors, which can create a discordant effect.
  • →Failing to establish a clear focal point.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paper 140lb
  • ·Watercolor paints
  • ·Round brushes (various sizes)
  • ·Pencil
  • ·Eraser
  • ·Palette
  • ·Water container

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Ruler

Use high-quality watercolor paints for best results. Experiment with different brush sizes to achieve a variety of effects.

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oil painting for beginners →how to learn by studying the masters →
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