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home·artworks·Alice in a White Hat
Alice in a White Hat by Lilla Cabot Perry

plate no. 8891

Alice in a White Hat

Lilla Cabot Perry, 1904

oilImpressionismportraitportraitwomanhatdressfigureclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering fabric textures using broken color techniques. It also encourages observation of light and shadow to create form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure, hat, and dress, paying attention to proportions.

  2. step 02

    Establish the background with broad strokes of muted yellows, grays, and browns.

  3. step 03

    Block in the main areas of color on the face, using light washes and building up layers.

  4. step 04

    Begin defining the features of the face, focusing on the eyes, nose, and mouth.

  5. step 05

    Work on the dress, using white and light blue to capture the folds and textures.

  6. step 06

    Paint the hat, using black and white to create contrast and depth.

  7. step 07

    Add details to the lace collar and other areas of interest.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed.

color palette

primary · titanium white · yellow ochre · raw umber

secondary · ultramarine blue · ivory black · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, and a touch of red or brown. Use ultramarine blue and white to create the light blue tones in the dress. Mix black and raw umber for the hat.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors straight from the tube without mixing.
  • →Failing to capture the subtle variations in skin tone.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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