
plate no. 8891
Lilla Cabot Perry, 1904
Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering fabric textures using broken color techniques. It also encourages observation of light and shadow to create form.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the figure, hat, and dress, paying attention to proportions.
Establish the background with broad strokes of muted yellows, grays, and browns.
Block in the main areas of color on the face, using light washes and building up layers.
Begin defining the features of the face, focusing on the eyes, nose, and mouth.
Work on the dress, using white and light blue to capture the folds and textures.
Paint the hat, using black and white to create contrast and depth.
Add details to the lace collar and other areas of interest.
Refine the overall composition, adjusting values and colors as needed.
color palette
primary · titanium white · yellow ochre · raw umber
secondary · ultramarine blue · ivory black · alizarin crimson
Achieve skin tones by mixing white, yellow ochre, and a touch of red or brown. Use ultramarine blue and white to create the light blue tones in the dress. Mix black and raw umber for the hat.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.
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