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home·artworks·Algoma
Algoma by J. E. H. MacDonald

plate no. 5544

Algoma

J. E. H. MacDonald

oilArt Nouveau (Modern)landscapetreesforestautumnlandscapesky
some experience helpful

This painting provides an opportunity to practice impasto techniques and layering colors to create depth and texture. Students can also learn to simplify complex scenes into basic shapes and color blocks.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the trees and horizon line.

  2. step 02

    Block in the sky with a thin layer of light blue-gray.

  3. step 03

    Establish the dark masses of the evergreens using dark green and brown.

  4. step 04

    Apply thick strokes of yellow, orange, and red to represent the autumn foliage.

  5. step 05

    Layer darker greens and browns over the foliage to create depth and shadow.

  6. step 06

    Use short, directional strokes to suggest the texture of the leaves and branches.

  7. step 07

    Add highlights with lighter shades of yellow and orange.

  8. step 08

    Refine details and adjust values to create a cohesive composition.

color palette

primary · ultramarine blue · burnt umber · cadmium yellow · cadmium orange

secondary · viridian green · alizarin crimson

Mix greens by combining ultramarine blue and cadmium yellow. Create variations in the foliage by mixing different proportions of yellow, orange, and red with touches of brown and green. Use white to lighten colors for highlights.

techniques

  • ·impasto
  • ·broken color
  • ·layering
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating a flat, uniform surface without variations in texture and value.
  • →Using too much detail and losing the overall impression of the scene.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·rags

optional

  • ·painting medium
  • ·varnish

Use a medium-tooth canvas to provide a good surface for the impasto technique. Consider using a palette knife for applying thick layers of paint.

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oil painting for beginners →how to learn by studying the masters →
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