apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Alberico da Romano
Alberico da Romano by Francesco Hayez

plate no. 9143

Alberico da Romano

Francesco Hayez, 1850

oilRomanticismhistory paintingfiguresarchitectureinteriorarmorclothinghistorical
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in capturing emotional expression through facial features and body language.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background architecture, paying attention to perspective and light.

  4. step 04

    Start building up the figures, focusing on accurate proportions and anatomical details.

  5. step 05

    Layer in the drapery, using highlights and shadows to create volume and form.

  6. step 06

    Refine the facial features and expressions of each figure.

  7. step 07

    Add details such as the armor, clothing textures, and architectural elements.

  8. step 08

    Glaze with thin layers of color to unify the painting and create depth.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the muted tones by mixing earth tones with white and small amounts of red, blue, and yellow. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·figure drawing
  • ·drapery study
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of figures
  • →Overworking details too early
  • →Muddy colors due to overmixing
  • →Failing to create a sense of depth
  • →Inaccurate rendering of light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·palette

optional

  • ·medium gloss
  • ·retouch varnish
  • ·painting easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke