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home·artworks·Alaska Scene near Juneau
Alaska Scene near Juneau by Thomas Hill

plate no. 6864

Alaska Scene near Juneau

Thomas Hill, 1894

oilRomanticismlandscapemountainswatertreesfogrockslandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering and color mixing. It also provides practice in capturing the texture of rocks and foliage with loose brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, water line, and foreground elements.

  2. step 02

    Establish the sky and distant mountains with thin washes of diluted paint, using light blues and grays.

  3. step 03

    Layer in the fog and clouds, blending the edges to create a soft, diffused effect.

  4. step 04

    Block in the dark masses of the trees and foliage, paying attention to the shapes and values.

  5. step 05

    Add details to the mountains, using dry brush techniques to create texture and highlights.

  6. step 06

    Paint the water, reflecting the colors of the sky and mountains, and adding subtle ripples and reflections.

  7. step 07

    Add details to the foreground rocks and foliage, using thicker paint and bolder brushstrokes.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · titanium white · raw umber

secondary · viridian green · yellow ochre · payne's gray

Mix blues and whites for the sky and distant mountains. Use raw umber and white for the rocks. Create greens by mixing blue, yellow ochre, and a touch of raw umber.

techniques

  • ·atmospheric perspective
  • ·dry brush
  • ·wet-on-wet blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using too much paint and creating a muddy texture.
  • →Failing to establish a clear value structure.
  • →Ignoring the subtle color variations in the sky and water.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·viridian green oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 6, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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