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home·artworks·Ahasuerus, Wandering Jew
Ahasuerus, Wandering Jew by Maurycy Gottlieb

plate no. 9927

Ahasuerus, Wandering Jew

Maurycy Gottlieb, 1876

oilRomanticismself-portraitportraitfigurecrownbeardhistoricalclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and mood through subtle value changes and expressive brushwork. It also provides practice in rendering textures like hair and fabric with loose, painterly strokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color areas, focusing on the background, clothing, and skin tones.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow patterns.

  5. step 05

    Add details to the crown and other accessories, using small brushes and careful strokes.

  6. step 06

    Develop the textures of the hair, beard, and clothing with varied brushwork.

  7. step 07

    Adjust the overall color balance and value contrast to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · alizarin crimson

secondary · ultramarine blue · yellow ochre · ivory black

Achieve skin tones by mixing white, sienna, and crimson, adjusting the proportions for highlights and shadows. Use ultramarine blue and burnt umber to create dark, muted tones for the clothing and background. Yellow ochre and white can create the gold tones in the crown.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·scumbling
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Failing to capture the correct proportions of the face and body.
  • →Creating muddy colors by overmixing on the palette.
  • →Ignoring the subtle value changes that create depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, alizarin crimson, ultramarine blue, yellow ochre, ivory black)
  • ·assorted brushes (round and flat, sizes 2-8)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for the brushwork.

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oil painting for beginners →how to learn by studying the masters →
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