plate no. 8479

Agilulfo gives the young Queen Teodolinda jewels and the model of the Duomo of Monza

oilRomanticismhistory paintingfiguresarchitectureinteriorhistorical sceneclothingjewels

experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in capturing the nuances of light and shadow on different textures.

technical profile

palette complexity

brushwork visibility

value contrast

compositional simplicity

study guide

est. 20 hrs

approach — 8 steps

step 01
Create a preliminary sketch to establish the composition and proportions of the figures and architectural elements.
step 02
Block in the main shapes and values using thin washes of color.
step 03
Develop the background and architectural details, paying attention to perspective and atmospheric perspective.
step 04
Begin to refine the figures, focusing on accurate anatomy and drapery folds.
step 05
Build up the colors and values in layers, using glazing and scumbling techniques to create depth and texture.
step 06
Add highlights and shadows to define the forms and create a sense of light.
step 07
Pay attention to the details of the clothing, jewelry, and other accessories.
step 08
Make final adjustments to the composition, color, and values to achieve a cohesive and harmonious effect.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use glazes of transparent colors to create depth and luminosity.

techniques

·figure drawing
·drapery rendering
·glazing
·scumbling
·atmospheric perspective

common pitfalls

→Incorrect proportions of figures
→Overworking the details too early
→Failing to create a sense of depth
→Inaccurate rendering of drapery folds

materials

surface · stretched canvas

required

·stretched canvas 18x24
·oil paints (burnt umber, raw sienna, titanium white, cadmium red, ultramarine blue, yellow ochre, ivory black)
·linseed oil
·turpentine
·assorted brushes (round and flat)
·palette
·palette knife
·rags