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home·artworks·Aged Spinner
Aged Spinner by George Harvey

plate no. 2159

Aged Spinner

George Harvey

oilRomanticismgenre paintingfigureold womanspinning wheelchairinteriorclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing the likeness and character of an elderly subject, and in rendering fabric and textures with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, chair, and spinning wheel.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main areas of color, focusing on the figure's skin tones, clothing, and the surrounding environment.

  4. step 04

    Develop the figure's face, paying attention to the details of the eyes, nose, and mouth.

  5. step 05

    Add details to the clothing, using highlights and shadows to create depth and form.

  6. step 06

    Refine the spinning wheel and chair, adding details and textures.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of harmony and balance.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · titanium white · raw sienna

secondary · red ochre · ultramarine blue

Mix various shades of brown and gray by combining burnt umber, raw sienna, and titanium white. Use small amounts of red ochre and ultramarine blue to create subtle color variations in the skin tones and clothing.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·limited palette
  • ·chiaroscuro
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, painterly feel.
  • →Failing to capture the likeness and character of the figure.
  • →Using too many colors and creating a muddy or chaotic effect.
  • →Ignoring the importance of value contrast in creating depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·raw sienna oil paint
  • ·red ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a medium texture to allow for better brushwork and texture.

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