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home·artworks·Agatha Serving Her Severed Breasts on a Platter
Agatha Serving Her Severed Breasts on a Platter by Ambrogio Bergognone

plate no. 8083

Agatha Serving Her Severed Breasts on a Platter

Ambrogio Bergognone, 1510

oilHigh Renaissancereligious paintingfiguresaintreligioushaloplatterdrapery
some experience helpful

Recreating this painting will help students develop skills in portraiture, drapery rendering, and subtle color blending to create soft transitions. It also provides practice in creating a sense of depth and form through careful value control.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figure's pose, the drapery, and the background.

  2. step 02

    Block in the main color areas: the skin tones, the yellow dress, the purple cloak, and the sky.

  3. step 03

    Begin refining the skin tones, paying attention to subtle value changes to create form.

  4. step 04

    Develop the drapery folds, using darker values to create shadows and lighter values for highlights.

  5. step 05

    Add details to the dress, including the folds and the belt.

  6. step 06

    Paint the background sky with soft, blended brushstrokes.

  7. step 07

    Add the halo and the platter with the breasts, paying attention to their form and color.

  8. step 08

    Refine the details and add any final touches.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · alizarin crimson · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Create the purple cloak by mixing ultramarine blue and burnt umber with varying amounts of white for highlights and shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to create a sense of depth in the drapery.
  • →Using colors that are too saturated and not blending them sufficiently.
  • →Inaccurate proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·set of oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted paint brushes
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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