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home·artworks·Against the Sunset
Against the Sunset by Frederic Remington

plate no. 1328

Against the Sunset

Frederic Remington, 1906

oilImpressionismgenre paintinghorsecowboysunsetlandscapefiguregrass
some experience helpful

Recreating this painting will help students develop skills in simplifying complex forms and capturing atmospheric perspective using a limited color palette. It also provides practice in creating dynamic movement with brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the horse, rider, and landscape, focusing on proportions and composition.

  2. step 02

    Block in the sky with a thin, even layer of yellow, blending slightly darker tones towards the horizon.

  3. step 03

    Establish the dark mass of the foreground vegetation using a mix of greens and browns.

  4. step 04

    Roughly define the form of the horse and rider with mid-tone browns and grays, paying attention to the silhouette.

  5. step 05

    Add highlights to the horse and rider to suggest the setting sun, using lighter shades of brown and yellow.

  6. step 06

    Refine the details of the vegetation with short, broken brushstrokes, varying the color and value.

  7. step 07

    Add final touches to the horse and rider, such as the reins and saddle, using darker tones for definition.

  8. step 08

    Soften edges and blend colors as needed to create a sense of atmosphere and unity.

color palette

primary · yellow ochre · burnt umber · raw umber

secondary · sap green · titanium white

Mix yellow ochre with small amounts of burnt umber to create the various shades of the sky. Combine raw umber and sap green for the vegetation, adjusting the ratio for lighter and darker areas. Add titanium white to lighten colors and create highlights.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·limited palette
  • ·broken color

common pitfalls

  • →Overworking details too early
  • →Creating harsh lines instead of soft edges
  • →Not establishing a clear value structure
  • →Using too many colors and muddying the palette

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·#4 round brush
  • ·#8 flat brush
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·sap green oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

A toned canvas (e.g., with a thin wash of burnt umber) can help create a unified color harmony.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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