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home·artworks·Afternoon Tea (aka On the Terrace)
Afternoon Tea (aka On the Terrace) by Eva Gonzales

plate no. 6058

Afternoon Tea (aka On the Terrace)

Eva Gonzales, 1875

oil, canvasImpressionismgenre paintingfiguregardentableflowersbuildingsdress
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape setting and capturing the subtle color variations in light and shadow. It's also good practice for creating depth using atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, table, and background elements.

  2. step 02

    Establish the main color blocks for the background, figure's dress, and the table.

  3. step 03

    Begin refining the figure's form and features, paying attention to the light and shadow on the dress.

  4. step 04

    Add details to the table and the objects on it.

  5. step 05

    Develop the background, using lighter values and softer edges to create depth.

  6. step 06

    Paint the flowers with loose, expressive brushstrokes.

  7. step 07

    Refine the overall color harmony and adjust values as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · titanium white · yellow ochre · burnt umber

secondary · cadmium red · sap green

Mix blues and whites for the dress, adding touches of yellow ochre for warmth. Use yellow ochre and burnt umber for the ground. Mix reds and greens for the flowers, varying the proportions for different shades.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·implied detail

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural look.
  • →Using colors that are too saturated, which can flatten the image.
  • →Ignoring the subtle color variations in the shadows.
  • →Not establishing a clear focal point.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·painting medium
  • ·easel
  • ·rags

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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