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home·artworks·After the Visit
After the Visit by Paul-Albert Besnard

plate no. 6451

After the Visit

Paul-Albert Besnard, 1900

etchingImpressionismsymbolic paintingskeletonfiguresdeathgriefetchingsymbolism
some experience helpful

This etching provides practice in creating depth and form using line weight and hatching techniques. Students will learn to suggest texture and shadow with minimal tonal variation.

technical profile

palette complexity
1
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the skeleton and figures, paying attention to proportions.

  2. step 02

    Outline the skeleton with a fine-tipped pen, emphasizing the contours and details of the bones.

  3. step 03

    Begin adding hatching to define the shadows on the skeleton, using denser lines for darker areas.

  4. step 04

    Create the background by using vertical lines, varying the spacing and thickness to suggest depth.

  5. step 05

    Add cross-hatching to the background to create darker areas and more complex textures.

  6. step 06

    Develop the figures in the background using a combination of lines and hatching to suggest form and shadow.

  7. step 07

    Refine the details of the skeleton and figures, adding more lines and hatching to enhance the depth and realism.

  8. step 08

    Add final touches to the background to create a sense of atmosphere and depth.

color palette

primary · black ink · white paper

secondary ·

Varying the density of black ink lines creates the illusion of tonal variation.

techniques

  • ·hatching
  • ·cross-hatching
  • ·line weight variation
  • ·contour drawing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the lines, resulting in a muddy or unclear image.
  • →Not varying the line weight enough, leading to a flat and lifeless drawing.
  • →Ignoring the proportions of the skeleton and figures, resulting in an inaccurate representation.
  • →Failing to create enough contrast between the light and dark areas, resulting in a lack of depth.

materials

surface · Smooth drawing paper

required

  • ·Fine-tipped drawing pens (various sizes)
  • ·Smooth drawing paper
  • ·Pencil
  • ·Eraser
  • ·Ruler
  • ·Reference image of a skeleton

optional

  • ·Magnifying glass
  • ·Tracing paper
  • ·Ink wash

Experiment with different pen sizes and paper types to achieve the desired effect.

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related guides

color theory for painters →how to learn by studying the masters →
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