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home·artworks·After the Storm on the Coast of Newfoundland
After the Storm on the Coast of Newfoundland by James Hamilton

plate no. 3177

After the Storm on the Coast of Newfoundland

James Hamilton, 1860

oilRomanticismmarinaoceanboatswavesskycloudsshipwreck
experienced study

Recreating this painting will help students develop skills in rendering dynamic water and atmospheric perspective. It also provides practice in capturing the drama and movement of a stormy seascape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the main shapes and horizon line, paying attention to the placement of the boats and the overall composition.

  2. step 02

    Establish the basic values of the sky and sea with thin washes of color.

  3. step 03

    Begin building up the waves, using darker values in the troughs and lighter values on the crests.

  4. step 04

    Add details to the boats, including the masts, sails, and figures.

  5. step 05

    Refine the clouds, using soft blending to create a sense of depth and atmosphere.

  6. step 06

    Add highlights to the waves and boats to create a sense of drama and movement.

  7. step 07

    Introduce smaller details like birds and debris to enhance the realism.

  8. step 08

    Glaze with transparent colors to unify the painting and adjust values.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · raw sienna · ivory black

Mix various shades of blue and gray for the sky and sea by combining ultramarine blue, burnt umber, and titanium white. Use yellow ochre and raw sienna to create warm highlights on the clouds and boats.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details and losing the sense of spontaneity.
  • →Creating waves that look too uniform or static.
  • →Ignoring atmospheric perspective and making distant objects too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Consider using a medium to thin the paint and speed up drying time.

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