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home·artworks·After the field work
After the field work by Albert Flamm

plate no. 7069

After the field work

Albert Flamm, 1850

oil, canvasRomanticismlandscapefigureslandscapetreesroadbuildingssea
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for natural light, and rendering figures within a landscape setting. It also provides practice in creating depth and texture using varied brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes: horizon line, groups of figures, trees, and buildings.

  2. step 02

    Establish the sky and sea with thin washes of color, focusing on the subtle gradations of light.

  3. step 03

    Block in the large masses of the trees and foliage, using a range of greens, browns, and yellows.

  4. step 04

    Roughly indicate the path and foreground, paying attention to the warm and cool tones of the earth.

  5. step 05

    Start adding details to the figures, focusing on the overall shapes and colors of their clothing.

  6. step 06

    Refine the details of the trees, adding branches and leaves with varied brushstrokes.

  7. step 07

    Add highlights and shadows to create depth and dimension throughout the painting.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious and atmospheric effect.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · cadmium red · raw sienna · viridian

Achieve the atmospheric haze by mixing blues and browns with white. Create greens by mixing blues and yellows with a touch of brown to mute the color. Use thin washes of color for the sky and distant elements.

techniques

  • ·Scumbling
  • ·Dry brushing
  • ·Glazing
  • ·Atmospheric perspective
  • ·Broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated, losing the atmospheric effect.
  • →Failing to establish a clear value structure.
  • →Making the figures too sharply defined, causing them to stand out unnaturally.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (yellow ochre, burnt umber, ultramarine blue, titanium white, cadmium red, raw sienna)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Palette knife
  • ·Medium (e.g., Liquin)
  • ·Easel

Use a medium-tooth canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting.

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oil painting for beginners →how to learn by studying the masters →
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