apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Adoration of the Shepherds
Adoration of the Shepherds by Cima da Conegliano

plate no. 0569

Adoration of the Shepherds

Cima da Conegliano, 1509

panel, temperaHigh Renaissancereligious paintingfigureslandscapearchitectureanimalsskyreligious scene
experienced study

This painting offers practice in rendering complex figures and drapery, as well as creating atmospheric perspective in a landscape. Students can also learn about color harmony and how to create a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and landscape elements.

  2. step 02

    Establish the background sky and distant mountains with thin washes of color.

  3. step 03

    Block in the large shapes of the figures and animals with simplified color masses.

  4. step 04

    Develop the details of the landscape, including the trees, rocks, and architecture.

  5. step 05

    Refine the figures, paying attention to anatomy, drapery folds, and facial expressions.

  6. step 06

    Add highlights and shadows to create form and dimension.

  7. step 07

    Glaze layers to unify the colors and create subtle transitions.

  8. step 08

    Add final details and adjustments to complete the painting.

color palette

primary · red ochre · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · ivory black

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of raw umber. Achieve skin tones by blending red ochre, titanium white, and a small amount of yellow ochre. Create depth in the landscape by using cooler, desaturated colors in the distance.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Overworking details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·raw umber oil paint
  • ·red ochre oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·retouch varnish

Use a high-quality canvas primed with several layers of gesso for a smooth surface. Consider using a medium to thin the oil paints and improve flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael