
plate no. 0569
Cima da Conegliano, 1509
This painting offers practice in rendering complex figures and drapery, as well as creating atmospheric perspective in a landscape. Students can also learn about color harmony and how to create a sense of depth.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of figures and landscape elements.
Establish the background sky and distant mountains with thin washes of color.
Block in the large shapes of the figures and animals with simplified color masses.
Develop the details of the landscape, including the trees, rocks, and architecture.
Refine the figures, paying attention to anatomy, drapery folds, and facial expressions.
Add highlights and shadows to create form and dimension.
Glaze layers to unify the colors and create subtle transitions.
Add final details and adjustments to complete the painting.
color palette
primary · red ochre · ultramarine blue · raw umber · titanium white
secondary · yellow ochre · burnt sienna · ivory black
Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of raw umber. Achieve skin tones by blending red ochre, titanium white, and a small amount of yellow ochre. Create depth in the landscape by using cooler, desaturated colors in the distance.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a high-quality canvas primed with several layers of gesso for a smooth surface. Consider using a medium to thin the oil paints and improve flow.
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