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home·artworks·Adelaide Stanley as Kate in 'The Two Bouquets' (from the Play by Herbert Farjeon)
Adelaide Stanley as Kate in 'The Two Bouquets' (from the Play by Herbert Farjeon) by Ethel Léontine Gabain

plate no. 0552

Adelaide Stanley as Kate in 'The Two Bouquets' (from the Play by Herbert Farjeon)

Ethel Léontine Gabain

oilNeo-Romanticismportraitportraitfiguredresshatgardentrees
experienced study

Recreating this painting will help students develop skills in rendering fabric folds and capturing the likeness of a person in a historical costume. It also provides practice in creating a sense of depth through color and brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of color.

  3. step 03

    Block in the local colors of the dress, hat, and skin, focusing on the overall color harmony.

  4. step 04

    Develop the details of the face, paying attention to the subtle variations in skin tone.

  5. step 05

    Add the folds and textures of the dress using broken brushstrokes and layering of colors.

  6. step 06

    Refine the background, creating a sense of depth and atmosphere.

  7. step 07

    Add final highlights and details to the figure and dress.

  8. step 08

    Review and adjust the overall composition and color balance.

color palette

primary · rose madder · titanium white · yellow ochre

secondary · viridian · ultramarine blue · raw umber

Mix various shades of pink and rose by combining rose madder and titanium white. Use yellow ochre to warm up the skin tones and create highlights. Mix greens and browns for the background foliage.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking the details of the face and losing the overall impression.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear focal point.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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oil painting for beginners →how to learn by studying the masters →
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