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home·artworks·Abysm of Time - from The Tempest
Abysm of Time - from The Tempest by Edmund Dulac

plate no. 2021

Abysm of Time - from The Tempest

Edmund Dulac

oilArt Nouveau (Modern)illustrationfigurerocksoceandressskywaves
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a landscape and creating atmospheric perspective with muted colors. It also provides practice in layering and glazing techniques to achieve depth and luminosity.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figure, rocks, and horizon line.

  2. step 02

    Establish the basic color washes for the sky, sea, and rocks, focusing on the overall tonal values.

  3. step 03

    Begin layering darker tones on the rocks to create depth and texture.

  4. step 04

    Paint the figure's skin tones and hair, paying attention to the subtle variations in color.

  5. step 05

    Add the base color for the dress and scarf, then begin layering the details and patterns.

  6. step 06

    Refine the details of the waves and foam, using small brushstrokes to create movement.

  7. step 07

    Add the small details on the rocks and foreground, such as shells and pebbles.

  8. step 08

    Glaze over the entire painting to unify the colors and create a sense of atmosphere.

color palette

primary · Prussian Blue · Raw Umber · Titanium White

secondary · Burnt Sienna · Yellow Ochre · Rose Madder

Mix muted greens and blues for the sea and sky by combining Prussian Blue, Raw Umber, and White. Use Burnt Sienna and Rose Madder to create the warm tones in the rocks and figure's skin.

techniques

  • ·Glazing
  • ·Layering
  • ·Dry brushing
  • ·Color mixing
  • ·Atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated, losing the muted atmosphere.
  • →Failing to establish a clear value structure.
  • →Ignoring the subtle color variations in the rocks and water.

materials

surface · Stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brush (size 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil (if using oil paints)

optional

  • ·Retarder medium
  • ·Varnish
  • ·Easel

Using a toned canvas can help establish the overall color harmony. Consider using a warm gray or light brown tone.

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