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home·artworks·Above the Village, Hewood
Above the Village, Hewood by Lucien Pissarro

plate no. 4714

Above the Village, Hewood

Lucien Pissarro, 1941

oilImpressionismlandscapelandscapetreeshillsvillageskyfoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective to depict distance. Students will also learn how to simplify complex forms into basic shapes and use brushstrokes to suggest detail.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, hills, and village.

  2. step 02

    Block in the sky with a light blue-gray wash, allowing for subtle variations in tone.

  3. step 03

    Establish the dark masses of the trees and foliage with a mix of dark greens and browns.

  4. step 04

    Begin layering lighter greens and yellows on top of the dark masses to create highlights and texture.

  5. step 05

    Paint the distant hills with muted greens and blues to create atmospheric perspective.

  6. step 06

    Add details to the village, using small brushstrokes to suggest the forms of the buildings.

  7. step 07

    Refine the foreground with variations in green and brown, adding details such as grasses and foliage.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · sap green · yellow ochre · cerulean blue

secondary · burnt umber · titanium white · cadmium yellow light

Achieve the various greens by mixing yellow ochre and sap green with varying amounts of blue and white. Use burnt umber to darken greens and create shadows.

techniques

  • ·broken color
  • ·layering
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using too much pure color without mixing to create subtle variations.
  • →Failing to establish a strong value structure.
  • →Not creating enough atmospheric perspective in the distant hills.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water (depending on medium)

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a canvas with a medium texture to allow for broken color techniques. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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