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home·artworks·Abbeville, Street and the Church of Saint-Vulfran
Abbeville, Street and the Church of Saint-Vulfran by Eugene Boudin

plate no. 7166

Abbeville, Street and the Church of Saint-Vulfran

Eugene Boudin, 1884

oilImpressionismcityscapecityscapechurchbuildingsfiguresstreetsky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the essence of a scene with loose, expressive brushstrokes. It also encourages simplifying complex architectural details.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the church, focusing on perspective.

  2. step 02

    Block in the sky with a thin wash of light blue and white, leaving some areas for clouds.

  3. step 03

    Establish the main value ranges for the buildings, using a mix of grays, browns, and ochres.

  4. step 04

    Add the darker values to the church and buildings to create depth and form.

  5. step 05

    Paint the street with a mix of grays and browns, suggesting the texture of the cobblestones.

  6. step 06

    Add the figures and details in the foreground, using small, quick brushstrokes.

  7. step 07

    Refine the details of the church and buildings, adding highlights and shadows.

  8. step 08

    Add final touches and adjust values as needed to create a sense of atmosphere.

color palette

primary · titanium white · raw umber · ultramarine blue · yellow ochre

secondary · burnt sienna · cadmium red light · ivory black

Achieve the various grays by mixing ultramarine blue, raw umber, and white. Use yellow ochre and burnt sienna to create warm tones for the buildings. Add small amounts of cadmium red to warm up the browns.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·alla prima
  • ·implied detail

common pitfalls

  • →Overworking the details of the architecture.
  • →Creating overly saturated colors.
  • →Not establishing a clear sense of perspective.
  • →Making the figures too detailed and realistic.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-tooth canvas for better texture. Consider toning the canvas with a thin wash of raw umber before starting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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