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home·artworks·Abbazia Della Misericordia, Venice
Abbazia Della Misericordia, Venice by Martín Rico y Ortega

plate no. 1210

Abbazia Della Misericordia, Venice

Martín Rico y Ortega

oilImpressionismcityscapebuildingswaterbridgeboatsskyfigures
some experience helpful

Recreating this painting will help students develop skills in rendering reflections in water and capturing architectural details with loose brushstrokes. It also provides practice in creating atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, bridge, and water line.

  2. step 02

    Block in the large areas of color for the sky, buildings, and water, establishing the overall value structure.

  3. step 03

    Develop the colors of the buildings, paying attention to the subtle variations in tone and hue.

  4. step 04

    Paint the bridge, focusing on its structure and the figures on it.

  5. step 05

    Add details to the water, including reflections of the buildings and boats.

  6. step 06

    Refine the details of the buildings, including windows, statues, and architectural elements.

  7. step 07

    Add the boats and figures in the water, paying attention to their scale and placement.

  8. step 08

    Make final adjustments to the colors, values, and details to create a cohesive and atmospheric painting.

color palette

primary · ultramarine blue · raw umber · yellow ochre · titanium white

secondary · burnt sienna · cadmium yellow light

Mix various shades of blue and white for the sky. Use raw umber and yellow ochre for the buildings, adding burnt sienna for warmth. Create the water color by mixing blues, umbers, and white, adjusting for reflections.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·glazing
  • ·rendering reflections

common pitfalls

  • →Overworking the details of the buildings.
  • →Making the reflections too literal or symmetrical.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated.
  • →Ignoring the atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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